Even though this work week was shorter, the usual dynamic
was shaken up a bit. Wednesday was fairly normal at work where I organized my
boss’ files and emails. I was able to help Jordan a little by reading some
thriller/horror script synopses for him to do coverage on. We also were holding
auditions for an upcoming script of ours in the building across from us. Though
I did not sit in on auditions, I met a couple candidates who came through our
office.
Friday was a whole new world! Shout out to Andres for giving
me the opportunity to work on set with one of his friends and colleague. Sara Zandieh,
a director, producer, and writer, gave me the chance to be assistant camera on
her new project on Friday and Saturday. The class was given the opportunity on
Thursday so watch one of Sara’s shorts and have a Q&A with her. Sara had no
intentions going into the entertainment industry while studying broadcast
journalism during college. While traveling the world for work, she was surrounded by production
a tremendous amount, which influenced her switch to the entertainment industry. Coming off of her journalism career, she created works that followed a documentary style. Now with some experience under her belt, Sara has been able to find her niche. Having fallen in love with comedies, Sara uses her drive, wit, and humor to create original content.
As an Iranian American, Sara's work focuses mainly on her heritage and worldly views of the Middle
East. I cannot think of a better time than to work on such a sensitive topic. This project focused on a Persian girl falling in love with a white American, which is a big no-no with her family. This was an awesome opportunity to learn about Persian culture and heritage. The actress portraying the grandmother, Vida Ghahremani, was once the most well known actress in Iran. It was so cool to see that even at 79 years old, she is still pursing her passion with the wit and heart of a 20 year old. We filmed seven different scenes to put together a sizzle trailer to send to potential investors to raise the money to transform this into a feature length film. To keep expenditures down, Sara tries to do as much work in-house such as editing the content herself.
As I had never been assistant camera before, I was very
nervous. Luckily, since the production was small, my role as assistant camera
followed similarly to my past roles as a production assistant. I truly enjoyed
my time on set and learned a lot. Sara was kind enough to spend time with part
of the crew after we wrapped on Saturday. I was able to talk to her one on one,
which led to a very in depth and personal conversation. Working for Sara has
given me new hope to break into the entertainment industry as a woman in a male
dominated business. She is an amazing and hardworking woman to look up to. Before those two days, I had never received so much support and encouragement to work towards being a cinematographer. It is women like Sara and her co-writer, Stephanie, that I truly have to thank for blazing a new path for young women like me who are just getting started in entertainment.

Wow, working on set sounds like a fantastic experience. I loved Sara's film from Thursday and this idea sounds like it could make a great follow up. I'm sure the people you met on set will be great contacts for your career pursuit too. Maybe when the funding's complete, you'll be able to work on set for the full shoot too.
ReplyDeleteThat's awesome you got to work on set! That's something still on my list of stuff I hope to eventually do in LA (whether it's this summer or in the future). What kind of stuff did you do as assistant camera? Looks like you got to slate which has always been a passion (maybe that word choice is a little strong) of mine (clapping the slate, that is). Great to learn from and observe other females working in the film industry; I definitely want to hear more about what Sara told you during your conversation!
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